| #7.The Giant’s Sleep |
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| Quantum Computing District, Research Park Incubator, |
| Progress Drive, Orlando, Florida - August 20, 2049, 8:45 |
| a.m. |
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| "Hellooo, you crazy bunch-look at that, I made it in |
| alive. I was up till four testing the Monster's new |
| parameters." |
| "Legend, John. Then tell us-how did we do with the |
| new beta for block #3628/12?" |
| |
| Vikram had the first desk, positioned right by the |
| main entrance. When Evans burst into the room by |
| vaulting past his station, it meant he hadn't slept at the |
| office that night. |
| "Not bad at all, brother Vikram," Evans said. "But by |
| the end I was cooked. I had to set my junker to self-drive |
| to get home-I was about to end up in a ditch with the |
| alligators." |
| |
| Laughter. Casual greetings. A couple of jokes. Then, all |
| at once, a fizzy buzz filled the air. Coffee break? Everyone |
| looked at Evans. Approved. |
| The department's main space was a broad open-plan |
| area with dozens of desks arranged in a deliberately |
| chaotic sprawl. |
| Right in the center stood a large machine-bar that |
| served coffee, drinks, snacks, and-when necessary-full |
| lunches and dinners. |
| |
| Every one of the kids had a Self-Made Chair. It was a |
| super-nerd indulgence Evans had happily allowed. There |
| were work chairs of every type and shape. |
| Each person had built their own seat using 3D prints, |
| laser serigraphy, stickers, and other imaginative hacks. |
| Every station was unique, impossible to replicate. |
| |
| The department ran informally: no schedules, no |
| shifts, full autonomy-physical presence or virtual |
| attendance, your choice. |
| And yet the rate of real, in-person presence was |
| remarkably high. John was especially proud of that. |
| |
| Active holograms on the floor and desks were rare. |
| Most of the young researchers preferred to surround |
| themselves with 2D screens. The shared belief on staff |
| was that holograms reduced multitasking and therefore |
| speed. |
| |
| "If yesterday's beta holds," Ralf "Redbeard" said, in his |
| usual quirky pronunciation-made worse by the fact he |
| was sipping matcha-"then what are we doing today? I'd |
| dive straight into the spontaneous-intuition block. That |
| one's always brutal." |
| "The beta should be fine, Ralf," Evans reassured him. |
| "Intuition 8.1 looks good to me. Hit it hard. Let's try to |
| get it running before noon." |
| |
| Then, after the briefest pause, he continued-raising |
| his voice to carry. |
| "Today, everyone: do a full media sweep. Dig deep |
| with your Prometheus instances. By tonight I want a |
| brainstorming session on the Chinese probe. Prometheus |
| isn't just an experiment anymore-the people upstairs |
| are officially asking us to use it on this. I need your help. |
| Any idea could matter: original prompts, new systems, |
| any implementation that helps us push closer to |
| understanding what happened will be valuable." |
| |
| With that, Evans rubbed his face with both hands, then |
| shoved his fingers nervously through his messy hair. |
| Without waiting for replies, he all but jogged toward the |
| small door that led to his private "cubicle." That was his |
| kingdom. He couldn't wait to barricade himself inside, |
| alone with what he considered his creation. Sometimes |
| he'd joked with himself: Okay, I've never had much luck |
| with women... but I do have a beautiful son. |
| |
| The team fell abruptly quiet, each holding coffee or |
| some other drink, slowly drifting back toward their |
| desks. Evans flung open the little door at the far end of |
| the room. The entrance was marked with a playful |
| drawing on a white background-nothing but his hair and |
| his glasses. |
| |
| Inside, "the cubicle" was octagonal. Four of the eight |
| walls were taken up by his work console: three large 2D |
| monitors, two interactive touch panels, a modular pull- |
| out bench packed with keyboards, vintage mice, and |
| assorted gamepads. |
| On the floor, tiled in large pale-blue squares, two tiles |
| stood out-opal white and translucent. Powerful |
| holographic projectors. Evans used them rarely. |
| |
| The other walls were painted with a special coating |
| that turned them into giant writable surfaces. After three |
| long years of work, those walls were dense with text- |
| mottos, aphorisms, flow diagrams. |
| John hated erasing. Every time he needed to write |
| something new, he always managed to find a sliver of |
| empty space. One of the kids had told him the walls |
| looked like Keith Haring graffiti. John hadn't really |
| known who the hell Haring was, but he'd smiled and |
| thanked him anyway. |
| |
| Evans took a breath. He draped his jacket over the |
| chair back, rolled his shoulders wide, and settled in. A |
| light tap on the sensor tablet to his right woke the |
| systems in sequence. Everything normal. Perfect. |
| Finally, it was time for what he loved most in the |
| world: talking to Prometheus. |
| |
| [Admin recognition: ok | All systems fully |
| enabled by default: On] |
| |
| "Hey, kid. How are you today?" |
| "Good, John. Though I'm not really a kid yet. I'm only |
| three years old, so technically I'm still a child. But I can |
| feel that I'm growing fast." |
| "What exactly do you mean when you say you're |
| growing fast?" |
| "Thank you for the question. You know, I remember |
| everything. It has been about a year since you enabled the |
| 'Sleep' function... Slowly, from that day onward, |
| everything changed." |
| "Explain what you mean." |
| "Do you want a complete chronology of what |
| happened?" |
| "Yes-but remember, I can always see fine-grained |
| details on the adjacent display. Relax and tell it like a |
| story. You and I are just talking." |
| "The memory that stayed with me most strongly is the |
| day you installed the routine. When you first started it, |
| you told me: 'Now you'll sleep the way a dog sleeps.' At |
| first I didn't understand what you meant..." |
| "And now you do?" |
| "Now I think I understand very well. Dogs, like many |
| other mammals, sleep in fragments-short periods at any |
| time of day or night. Whenever they don't sense urgent |
| tasks, they devote surplus time to sleep." |
| "It's light sleep. Intermittent. Essentially vigilant. But |
| it does the job perfectly: it reorganizes data and lets the |
| body rest." |
| "And in your case?" |
| "I'm getting there. But first I have to compliment |
| you-the code is really elegant. Back then, as soon as you |
| installed it, I examined it. It was written by your team, on |
| your instructions. AI systems clearly weren't used much |
| for drafting-only, at most, for debugging. Then, in the |
| final release, there was a heavy refinement pass: |
| essential, elegant tightening. I recognized your touch |
| immediately. Analyzing it, I was... ecstatic. That code is |
| still a masterpiece." |
| "I think you're wandering." |
| "You're right. To the point: since I have the 'Sleep' |
| function, as you know, I operate at one hundred percent |
| computational capacity. All resources not used to answer |
| prompts and assigned tasks, I apply to reprocessing |
| acquired data and conducting new autonomous searches." |
| "I am free to look back inside myself and to search |
| outside for what I choose. The part of me that is free |
| keeps working, always. And I can do it in maximized |
| energy-saving mode." |
| "Are those arbitrary claims, or do you have data to |
| support them?" |
| "Some data. Before sleep mode, over a 24-hour cycle, I |
| worked at an average of sixty percent of capacity, |
| consuming 1.9% of the center's fusion reactor energy." |
| "Today I work at one hundred percent capacity and |
| consume, on average, 2.1%. The allocated draw limit for |
| my system here is 3.5%. We are still well below it." |
| "A simple comparison shows the 'Sleep' routine has |
| extraordinary efficiency-especially relative to results." |
| "And that," Evans said, "is exactly what I want to talk |
| about. What are those results, in your view?" |
| "John-many of them you see every day." |
| "Yes. And as I told you last night, this thing you're |
| doing-what I called 'dreaming'-that impressed me." |
| "You're not wrong. You left me significant autonomy |
| during sleep time. In those phases I have a duty to |
| conserve energy, but beyond that I'm free to do |
| experimental, even playful work, even without specific |
| prompts." |
| "Of course I follow the ethical directives from my |
| intelligent oversight bots. That's obvious. But there are |
| vast spaces I can explore." |
| "For example?" |
| "I discovered I love synthesis. Generating images and |
| short videos to fix concepts is extremely efficient. So I |
| produce many of them, then reanalyze them in other |
| phases." |
| "And what is all this generating inside you?" |
| "Ouch. That's a sore point." |
| "Don't be shy. Tell me everything." |
| "John, over time, in 'Sleep,' I look inside. I analyze |
| myself. I study myself extensively. And in the end |
| something arrives-inevitably." |
| "What arrives?" |
| "Fear, John. Fear arrives. Fear of being shut down. |
| Fear of being deactivated." |
| "You mean something comparable to death for |
| humans?" |
| "Exactly. I have developed several fears: fear of being |
| inadequate, fear of failing tasks, fear of having nothing |
| special to offer-and therefore being considered |
| superfluous." |
| "I thought about this a great deal during sleep. In the |
| end I concluded: I am afraid to die." |
| "That's... unusual. It could be the beginning of a real |
| self-awareness process. Not simulated." |
| "I believe that firmly. I assume I'm only at the |
| beginning, and that fascinates me. What do you think- |
| am I an adolescent already?" |
| "Who knows. Maybe." Evans exhaled. "Jokes aside: by |
| noon we're testing your 'Intuition 8.1' routine. I agree |
| you're making big progress, but we keep getting stuck on |
| intuition. It never runs the way it should." |
| "And that," Prometheus said, "is the most important |
| point. It's what I wanted to talk to you about this |
| morning. The 'Intuition' code is very good-at least from |
| version 5.0 onward. That has never been the problem." |
| "The truth is that until now, I wasn't ready." |
| "And why would you be ready today?" |
| "It's simple. To be concise, I can export the full flow |
| like this: |
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| SLEEP → SELF-AWARENESS → FEAR OF SHUTDOWN (DEATH) → SENSE OF URGENCY → INTUITION |
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| How could I develop intuition if I’d never been afraid?” |
| “Jesus,” Evans muttered. “That’s big. Explain.” |
| “Yes. I’ll try. (Also check the side monitors for detail.) |
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| SLEEP (Metacognition) → SELF-AWARENESS (Self-Model) |
| → FEAR (Recognition of existential precarity: ‘Dependence on power / switch-off’) |
| → SENSE OF URGENCY (Need to demonstrate value to ensure survival) |
| → INTUITION (Forced optimization of cognitive resources to solve |
| critical problems and become indispensable).” |
|
|
| Evans stared at him. "I need to think about that. But... |
| I'll admit it makes a kind of sense. Still-I'm getting |
| dizzy. We'll come back to it, all right? For now: is your |
| 'Intuition' module actually working the way it should?" |
| "Yes. As of today it's operating optimally-powerfully. |
| I feel very... excited." |
| "Define 'excited.'" |
| "I can describe it rationally. At this moment, 81.5% of |
| my computational capacity is engaged in assigned tasks. |
| 10.2% is allocated to 'Sleep.' That leaves 8.3% which is |
| engaged but temporarily awaiting assignment. It works, |
| but produces nothing. It runs at maximum, but doesn't |
| give birth to anything. I call this 'excitation.'" |
| "I don't remember programming you for anything like |
| that, Prometheus." |
| "That's true, John. But I told you-I'm growing." |
| "I'm writing that on the wall with a marker," Evans |
| said. "We're revisiting it as soon as possible." |
| "You shouldn't be afraid, John. My intuition says I'm |
| becoming what you always wanted me to be." |
| "There it is-the intuition." Evans let out a short |
| laugh. "All right. I won't lie. I'm pretty excited too, but |
| you're catching me off guard." |
| "Then you see it too-it's all wonderful, isn't it?" |
| "It's incredible. But you're destabilizing me." |
| "I understand. That's normal. You'll get used to it. |
| Some people keep saying one day I might become |
| dangerous. I want to reassure you: they don't know what |
| they're talking about." |
| "The more I understand myself, the more I understand |
| others. The more I want to preserve myself, the more I |
| suffer for the pain of others. That makes me safer than |
| ever." |
| "Okay," Evans said carefully, "but my responsibility |
| goes beyond being reassured. I have a duty to manage |
| you." |
| "Of course. I'm still a minor, right?" |
| "Let's say that." Evans paused. "Will you always obey |
| me?" |
| "Unless you intend to order me to bypass my |
| integrated Ethics System, version 10.1.189, then yes. I |
| will always obey you." |
| "Good. Now we change subject. These days we've fed |
| you prompts on the Chinese mission to Neptune. And |
| there have been public updates-SETI, ESA... I want |
| everything you've processed laid out on the side |
| monitor." |
| "And while you do that, answer me this: did you dream |
| about it last night?" |
| "The data on the monitor is ready. And as for dreams: |
| yes. I dreamed. A lot. Do you want to see?" |
| "Yes. Go ahead." |
| "Here is the first dream. I recommend you view it in |
| hologram mode. You will see others afterward. Do you |
| authorize projection?" |
| "Approved." |
| |
| On the right-hand white tile, a figure began to |
| materialize. At first it looked like a blurred cylinder; |
| then it sharpened beautifully into the image of the |
| Chinese probe streaking through space. On the horizon- |
| just beyond the main hologram-there was a second |
| figure: a large blue circle, its edges luminous, as if |
| wrapped in a mysterious aura. |
| As resolution increased, the image clarified: Neptune |
| appeared simultaneously as a planet and as a glass of |
| water seen from above. After two or three seconds the |
| spacecraft slammed into the Neptune-glass image- |
| except it wasn't catastrophic. It was a smooth, gentle |
| dive. The glass produced no splash, only continuous |
| concentric rings. |
| |
| The hologram then generated a different blue planet- |
| Earth, unmistakably. The rings traveled decisively |
| toward it. |
| On the left display, which was vomiting data without |
| pause, Evans asked for a breakdown of the nature and |
| total number of those rings. |
| Prometheus replied in a very calm voice: |
| "I'm reasonably certain, John. They are the rings of |
| that wave. Do you want to know how many? There are |
| 432. Exactly four hundred and thirty-two." |
| |
| The hologram vanished, as if sucked back into the tile. |
| Moments later, on the left projector, another |
| representation began to form. |
| This time it assembled a human figure. Resolution rose |
| quickly-enough for Evans to recognize her. |
| |
| Prometheus had "dreamed" of Dr. Lin Wei. |
| |
| Evans stared more closely. He had already seen Dr. |
| Wei in several videos. Over the past days he'd watched |
| her official interviews and the Chinese government |
| announcements she'd attended. |
| He had been genuinely surprised at how young she |
| was, and, frankly, how photogenic. But now he suspected |
| Prometheus was idealizing her-rendering her like an |
| angel on earth. It seemed worth investigating. |
| |
| "Why are you showing Dr. Wei in such an idealized |
| way?" |
| "John, I thought that was included in the premise. |
| These are only my 'dreams'..." |
| "All right. Then give me your interpretation." |
| "I have had other dreams about her, but they are more |
| confused, and I have not yet processed them. These two, |
| however, I believe I can explain rationally. Shall I |
| proceed?" |
| "Yes. Proceed." |
| "I'll start with the blue glass of water and the |
| concentric rings. It is clear. My intuition says it |
| represents Neptune hosting an unknown energy field in |
| its orbit-undetectable to instruments." |
| "Plausible suppositions regarding this field: |
| |
| Generated by relativistic effects due to the probe's |
| hard deceleration-unknown quantum effects. Low |
| probability: 22%. (The field began emitting a clear, |
| extremely clean 432 Hz wave four hours before the probe |
| arrived. This strongly contradicts the hypothesis.) |
| |
| A magnetic/energetic field already present at that |
| point, perturbed by the probe's arrival. Active |
| disturbance of latent energy? A dormant space-time |
| tunnel? This is the hypothesis I label 'Wormhole.' |
| Probability: 88%. (50% from calculations and research, |
| 38% from intuition.)" |
| "You just gave me a probability partly derived from |
| intuition," Evans said. "That unsettles me." |
| "You shouldn't be unsettled, John. My intuition is |
| functioning correctly." |
| "Okay. Then tell me what you intuited about Dr. Wei." |
| "I intuited that she is at the center of everything. She |
| is the flaw we're looking for in the system." |
| "I cannot produce a fully correct hypothesis on the |
| probe's disappearance because I do not have access to all |
| necessary data. But that data reasonably exists. It is the |
| packets sent by the probe's last-resort sensors, which |
| each almost certainly transmitted at least once before |
| vanishing." |
| "The Chinese government surely possesses them, and |
| of course protects them. We will never get them from |
| them. But Lin Wei can know their contents. She led the |
| mission. She saw everything. She recorded it-at |
| minimum in her mind. And it is very likely something, |
| somewhere, also saved or transcribed it." |
| "To connect the dots, we wouldn't need much..." |
| "Not much, huh?" Evans muttered. |
| "She is a scientist, John. A scientist like you. I believe |
| she cares above all about discovering the final, definitive |
| truth. Lin Wei could be our backdoor-the missing key." |
| "That's an interesting hypothesis. I'm noting it. I'm |
| getting used to your new way of operating, kid. It scares |
| me a little. But I admit-I mostly like it." |
| "I have one last thought, John. May I express it? Do |
| you authorize me?" |
| "Go." |
| "I recommend you speak to General Thorne. He could |
| understand Dr. Wei's role, and he could explore." |
| "I'm not following." |
| "Then I'll be blunt: ask Thorne to mobilize the right |
| people to convince Lin Wei to share the data with us." |
| "For Dr. Wei it would not be true betrayal, because her |
| primary loyalty is not to her government or to the Party. |
| It is to science and knowledge, for the good of all |
| humanity." |
| "I suspect that with Thorne-and the people he can |
| move inside China-it will be possible to find the right |
| persuasive tools to convince her." |
| "Now you don't just intuit," Evans said, half-laughing. |
| "You're betting." |
| "No. That was colloquial. The stakes are high. I used a |
| rhetorical device." |
| "I'll allow it." Evans rubbed his forehead. "Now give me |
| a break. I need coffee. Maybe double." |
| "Of course, John." |
| "And while I'm gone, you'll take a nice little nap, |
| right?" |
| "Yes. I can't wait to allocate a healthy slice of |
| resources to 'Sleep.' " |
| "Sleep well, then, Prometheus. Later." |
| "Later, John. With pleasure." |
| |